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Table of Contents

  1. Ancient Loom Weights at the J. Paul Getty Museum
  2. Marie-Louise Nosch, Caroline Sauvage
  3. pp. 1-34
  4. DOI: https://doi.org/10.1086/726883
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  1. “Quite Astonishing Fidelity?”: Verisimilitude and Obstruction in Jacques Joseph Tissot’s Thames Pictures
  2. Hollis Clayson
  3. pp. 63-82
  4. DOI: https://doi.org/10.1086/726885
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  1. The Reception of Late Gothic Spanish Sculpture around 1900: A Case Study of Collectors’ Archives as a Tool for Art-Market Research
  2. Ulrike Müller
  3. pp. 83-106
  4. DOI: https://doi.org/10.1086/726886
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  1. Jay DeFeo’s Dialectics of Painting
  2. Pia Gottschaller, Joy Mazurek
  3. pp. 107-132
  4. DOI: https://doi.org/10.1086/726887
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  1. The Body as Measure: Scale, Power, and Human Presence in Marc Ferrez’s Obras do novo abastecimento de água do Rio de Janeiro
  2. Quinn Schoen
  3. pp. 135-146
  4. DOI: https://doi.org/10.1086/726888
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  1. Tracing Fannina Halle in El Lissitzky’s Letters
  2. Adrienn Kácsor
  3. pp. 147-165
  4. DOI: https://doi.org/10.1086/726889
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